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Frequency of Encountering Disinformation at the European Union Level

The results of the Eurobarometer survey show that more than 60% of respondents reported encountering information or news that they believed misrepresented reality or was even false at least once per week. Only 17% reported that they did so seldom or never. The respondents were asked "Q.2 How often do you come across news or information that you believe misrepresent reality or is even false?" European Union refers to EU28. The United Kingdom left the European Union on 31 January 2020.
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Frequency of Encountering Disinformation Online (by Country)

This chart shows the data collected via survey for the Flash Eurobarometer 464. The data shows the frequency with which respondents reported encountering information that they believe misrepresents reality or is even false. Respondents from Spain reported encountering such information with the highest frequency, while respondents from Finland reported encountering such information least frequently. The respondents were asked "Q2 How often do you come across news or information that misrepresent reality or even false a problem in your country?" European Union refers to EU28. The United Kingdom left the European Union on 31 January 2020.
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Frequency of Using File sharing Services to Upload or Download Documents, Videos, Images or Music (by Country)

The graph shows the frequence of respondents in using file sharing services to upload or download content. Respondents in Bulgaria were the most likely to report having use these services at least once, while respondents in Germant were least likely to do so. The respondents were asked the following question: "How often do you do the following? Use file sharing services to upload or download documents, videos, images or music". European Union refers to EU28. The United Kingdom left the European Union on 31 January 2020.
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Global Rankings of the Level of Internet and Digital Media Freedom

Freedom on the Net measures the level of internet and digital media freedom in 65 countries (for a full display of countries, please view the chart in full screen). Each country receives a numerical score from 100 (the most free) to 0 (the least free), which serves as the basis for an internet freedom status designation of free (70–100 points), partly free (40–69 points) or not free (0–39 points). Ratings are determined through an examination of three broad categories: obstacles to access (assesses infrastructural and economic barriers to access; government efforts to block specific applications or technologies; and legal, regulatory, and ownership control over internet and mobile phone access providers); limits on content (examines filtering and blocking of websites; other forms of censorship and self-censorship; manipulation of content; the diversity of online news media; and usage of digital media for social and political activism); violations of user rights (measures legal protections and restrictions on online activity; surveillance; privacy; and repercussions for online activity, such as legal prosecution, imprisonment, physical attacks, or other forms of harassment).
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Global Recorded Music Industry Revenues (2001-2019)

According to the International Federation of the Phonographic Industry report, in 2019, the global recorded music market grew by 8.2%, its fifth consecutive year of growth. The growth was predominantly driven by fans’ increasing engagement with music on paid streaming services, with the number of paid streaming accounts rising to 341 million by the end of 2019 and associated revenue increasing by 24.1%.
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Growing Digital Revenue for Record Labels

In April 2019, International Federation of the Phonographic Industry (IFPI), which represents the recording industry worldwide, published its Global Music Report 2019 which includes its revenue figures for 2018. IFPI data shows a global revenue growth of 9.7% with a 32.9% increase in paid streaming revenues and 34% of growth in overall streaming revenue. These figures look quite different from the "value gap" the music industry is allegedly experiencing. The efficiency gains of the digitisation of music result in increased consumer welfare and revenues for record labels — a textbook illustration of a healthy, competitive market. The values in this chart are presented with approximation, as the original report does not provide the figures.
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Harassment Experienced Due to Roma Background

The chart presents the shares of Roma respondents that have experienced some form of harassment due to their ethnic origin in the 12 months before the survey. The results show that, in 2016, almost every third Roma survey respondent (31% of men and 29% of women) believed that they had experienced, at least once, some form of ethnic-based harassment during the previous year.
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Internet Economy as Percentage of Gross Domestic Product (2016)

This chart provides information on the share of the Internet economy within the gross domestic product for some selected countries. The data shows that Internet has created a tremendous amount of value for the economy globally, substantially impacting GDP in the selected countries.
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Internet Platform Funding Comparison: European Union and United States

This chart shows a funding gap in the European Union compared to the United States. The data refers to a 15-year time horizon, considering companies formed after 01 January 2000 up until the end of 2014. The results suggest that a US-based company, under the framework set forth by the Communications Decency Act, Section 230, is five times more likely to secure investment over $10 million and nearly 10 times more likely to receive investments over $100 million, as compared to internet companies in the European Union, under the more limited E-Commerce Directive. Therefore, the internet platform companies built under the Communications Decency Act, Section 230 regime are much more likely to receive the significant investment necessary to grow and succeed.
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Investor Concern Regarding Potential New Regulation in France (2014)

According to the chart, 90% of French investors believe the legal environment has the most negative impact on their investing activities with a significant majority of 87% concerned about investing in digital content intermediaries that are today confronted by ambiguity and uncertain outcomes, potentially large damages, and the risks of secondary liability if new anti-piracy regulations are introduced.